November 21

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Should Jazz Pianists Practice Runs And Licks In All Keys?

By Thomas Gunther

November 21, 2024

I struggled with the answer to this question for many years until I finally took the time to study the runs and licks of virtuoso jazz pianists like Oscar Peterson, Tatum, and Teddy Wilson. My findings clearly indicated that they all prefer to play their favorite runs and licks in specific keys.   

For this reason, I don't entirely agree with jazz educators who recommend that their students always practice a run or lick in every key and with every chord. Although this is certainly a great exercise, due to the degree of difficulty, it may not be practical when the tempo is very fast in certain keys.

When I suggest that we practice runs and licks only in specific keys, I am only talking about those that are technically very demanding. As jazz musicians, it is, of course, necessary that we can play most musical motives and phrases in all keys. 

The problem is with the keyboard Layout

A run or lick is easier to play when the fingers and hands move naturally. Unfortunately, the keyboard is not symmetrical, which often makes executing the same run with the same fingering in a different key near impossible at high speeds. Even when we choose a more comfortable fingering to accommodate this problem, it may still not feel great. 

I recommend doing the opposite

Instead of transposing and practicing a run in unsuited keys, consider finding only those keys that are a good fit. Also, there's a very good chance you will find other chords that work with the run just as it is. This approach will save you a ton of work, and your muscle memory will thank you for it.

Conclusion

When I find a great run or lick, I am always concerned about finding out what other keys and chords I can play it with without breaking my fingers. However, I do not force myself to adapt it to keys that are not a good fit. Instead, I focus my practice on memorizing the keys and chords that work well with a particular run or lick. I wish I had started doing this a long time ago. The listener doesn't really care in which key I play a dazzling run. They simply enjoy seeing me do it. No one ever came up to me and said, " I would have really liked to hear you play run No. 5 in B major". 

Related Post that might interest you: Awesome Tatum Run for C7Alt…

What do you think about this topic? Do you practice every run or lick in every key, no matter how difficult it is?

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Thomas Gunther

About the author

Thomas Gunther, also known as Thommy Günther in Germany, is a highly versatile jazz pianist, keyboardist, music producer, and educator with international recognition. He was born and raised in Germany, where he earned a Master’s Degree in Teaching and Performing Jazz and Popular Music from the State University of Music and Performing Arts Stuttgart.

After relocating to Chicago, Thomas quickly became the principal pianist for the Chicago Jazz Ensemble, which is directed by the esteemed music arranger and composer William Russo. In this role, he had the opportunity to collaborate with renowned artists such as Randy Brecker, Body DiFranco, Archie Shepp, Jon Faddis, Cassandra Wilson, and Orbert Davis.

Currently, Thomas is an integral part of the Chicago music scene, performing with various groups both as a sideman and as a leader. He heads the Thomas Gunther Trio Plus and has toured Germany with the Thomas Gunther’s Taste Of Chicago Band. In addition to his performance career, he has produced, arranged, and recorded a substantial body of work, serving both in leadership roles and as a collaborator.

Thomas also provides music arranging and orchestration services for ensembles of all sizes, including contributions to the Chicago Jazz Philharmonic. As an educator, he shares his expertise as an Adjunct Professor at Columbia College Chicago. For more information about Thomas, visit https://www.ThomasGunther.com.

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